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– Salud – Eddie Boy 100-126 Transitionĭ4L – Laffy Taffy – Jablonski Soy Yo EditĮrica Banks – Slim Waist – Kidcutup 100-68 Transition (Clean)Įrica Banks – Slim Waist – Kidcutup 100-68 Transition (Dirty) Mariah Angeliq & Kevin Lyttle – After Party – Dj Xxplosive 128-107 Transitionīlvd. Xmix Radioactive Urban Radio Most PopularĪlex Sensation’ Farruko & Prince Royce Ft.Dj Yan & Dj Bastian Ar The Factory Of Old Schoo.Dj Sodrek Dj Yan Dj Bastian Ar & Dj Trake Trap Urbano.Dj Sidrek The King Of Old Sschool Part Ii.Dj Sidrek The King Of Old School Part I.Dj Rukus Old Skool Hip Hop Quick Hitters.Dj Joe & Los Peores Remix Para Tu Fiest.Club Killers Linkin Park Remix Tribute Pac.Like Journey’s “Don’t Stop Believin’,” The Notorious B.I.G.’s “Juicy,” or Jackson 5’s “I Want You Back,” this is a song that younger generations-who were not alive or active in music in 1990, can still related to because of its transcendent subject matter and sound. The Doo-Wop harmony, the Hip-Hop backbeat, vocal punch-ins and the Pop melody all pull in participants, spanning race, age, gender, and most of all, musical taste. However, sonically, this song has it all. People are still making poor decisions due to lust with their heartbreak on a platter to follow. Like temptresses (which apply to men as well), the imagery of the song has never gone out of style. The easy answer to the timeless effect of “Poison” is the theme. “Poison” is timeless in a way that starts to climb the steps to some hits from Prince and Michael Jackson. is alive-if only because of one hit song from their three LPs. In 2015, few songs from the New-Jack Swing era, let alone early ’90s R&B-Pop get the kind of play of “Poison.” From weddings, to sports bars, Pootie Tang, dance clubs, restaurants, strip clubs, lunch mixes, video games, “It’s Always Sunny In Philadelphia” episodes, and iPod radio stations, B.B.D. Quite amicably, the crew shouts out Bobby, Johnny, and Ralph at the song’s close too-making it clear to the world, this was merely a creative venture. Although the song is a precaution against falling for the “big butt and a smile,” “the crew used to do her.” Sexed up, catchy, the song refreshed the three singers in amazing ways for the brand new decade. Moreover, as Bobby Brown’s bad boy image and penchant for raunch had paid off, the group did the same-in a PG-13 manner. Like a ’90s Miracles, the group bridged from chorus to verse in a way that was instantly infectious. The group’s harmonic beginnings coalesced in a way that stood apart from New Edition. With grabbing production, magnetic pauses, and a complex arrangement, “Poison” was concocted.ī.B.D. Freeze took Kool G Rap’s lisped, punctuated delivery of “Poison” from two years prior, along with two vocal slices from Boogie Down Productions’ own two year-old “Jimmy,” and put it all in a New Jack Swing light.
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However, the Long Island, New York production team would not deliver the single. With that, the MCA act recruited Public Enemy’s Bomb Squad trio of Hank Shocklee, Keith Shocklee, and Eric “Vietnam” Sadler to inject their sound with the grit, excitement, and edge needed to take their re-brand to listeners, especially male record-buyers. With the brushed up format, the trio donned fresh, Hip-Hop-inspired threads, and seemed less like an R&B group, and more like a Rap crew. did not, and the three lesser profiled members of their veteran group got their names front and center. Still a perennially platinum act, New Edition may have seemed stagnant by 1990. Wu-Tang” of its day (to much greater success and magnitude), and the trio needed the ultimate breakthrough. Super-producers Jimmy Jam & Terry Lewis urged the three other group founders (Michael Bivins, Ricky Bell, Ronnie DeVoe) to create an off-shoot. However, the conflicts continued, with Johnny Gill’s addition, and Ralph Tresvant’s own solo interests. Johnny Gill was added as his replacement. Bobby Brown had been booted from the group, finding tremendous solo success. After five New Edition albums in as many years between 19, the Boston, Massachusetts superstar sensations were at a crossroads in the late 1980s.